Requesting a license?
Connecting with us
Broadway DNA is always on the lookout for new voices who might be a good fit for us. We are proactive global theatre goers, keeping track of what artists are making in the US and abroad, so that our work, practices, and licenses can sit at the forefront of contemporary practice and trends.
Here are the main ways to get yourself on our radar:
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We appreciate writers and theatre-makers reaching out to introduce themselves and their work to us. Email us at info@broadway-dna.com, and tell us about you and what you do.
Email is the most professional way to go – keep social media social.
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Seeing live work is a great way for us to learn more about you and the show. We may not always be able to get there, but we will make every attempt to send one of our team, given good notice. Three weeks in advance is optimal. Send an invitation to info@broadway-dna.com and we will be in touch should we be able to attend.
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For producers and theatre-makers, going down Internet rabbit holes to find new work is a common pastime, so artist websites are a huge asset for showcasing who you are and what you make. There are plenty of free or low-cost options for making a simple, functional website that features key projects you’ve made, script or song demos, and an easy way to contact you. (And then just make sure you update it every once in a while).
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If you believe you have a unique show that can benefit from international licensing and has a strong affinity with our business and artistic vision, you are welcome to send pitch materials to info@broadway-dna.com.
Please include:
* Show synopsis
* Production and/or development history
* Script sample and/or song demos
* Your Website or Author Bio
We receive an enormous number of proposals, and with limited resources, we aren’t able to give you feedback about your work. If we do see a possible match with Broadway DNA we will contact you.
Submission FAQs
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Production history and Author support: Has the show received a full production before (including self-produced)? Is the Author working toward any additional development opportunities currently (demos, cast recordings, workshops or productions in your Base Country, etc.)
Show goals: Who is your desired audience? What are your goals and plans for the show in your Base Country?
Show scalability: Does the cast and/or orchestra size reflect the true nature of the content, or economic/resource restraint? It is the Writer’s job to create as the Muse desires; it is the Producer’s job to translate into reality.
Show genre and themes: Is the work based on anything recognizable? Do similar shows exist? Does It speak to universal themes?
Is international licensing right for your show? For more information on current global theatrical trends, subscribe to our global newsletter Broadway DNA Blog.
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Potential for large orchestras
Gothic or historic period pieces
Science fiction and/or structurally ambitious narratives with time
What we’re less interested in:
Due to the large variation in countries’ academic regulations, BDNA does not currently focus on TYA (Theatre for a Young Audience) or school-aimed shows lower than a University level.
Because our licensing model relies essentially on match-making, the shows we sign are a potential fit for our existing partners around the world. If we are not interested in pursuing your show at this time, this in no way is a reflection on the quality or potential licensability of your work, but rather a reflection of our current business and artistic goals. Finding the right licensing agency match is imperative to your artistic growth and goals, but we encourage you to stay in touch should future opportunities arise. Thank you for your understanding.
